Her exile enforced a dramatic break with the past, and she conveys its emotional effects in Rupture (1955), where a solitary figure in a hooded robe descends the steps of a stark villa. She walks resolutely away, conscious of being spied upon by a ghostly face at every window. Though haunted, she's free.
Reading about Remedios Varo, I found this paragraph. Interesting because I wrote a poem expressing something like this in a previous post...
Reading about Remedios Varo, I found this paragraph. Interesting because I wrote a poem expressing something like this in a previous post...
